TYLER THE CREATOR ANNOUNCES CAMP FLOG GNAW LINEUP
Tyler, the Creator has always made Camp Flog Gnaw feel more like a cultural event than just another music festival, and this year is no different. For 2025, the Carnival makes its return to Dodger Stadium on November 15 and 16, bringing with it a lineup that feels both unexpected and carefully curated.
Instead of leaning only on the obvious headliners, the bill spreads its energy across household names, underground innovators, and artists who thrive on the edge of discovery. It’s the kind of lineup that invites fans to wander between stages and stumble upon something that feels brand new, even if the artist has been building a following for years.
At the top, festival-goers can count on Tyler himself to deliver a spectacle, joined by era-defining figures like Childish Gambino, A$AP Rocky, and Clipse. But the excitement extends far beyond the main stage, weaving in veterans and newcomers alike, showcasing everything from hard-hitting rap to genre-blurring R&B to left-field sounds that keep the Carnival unpredictable.
Here’s the full 2025 Camp Flog Gnaw lineup, listed alphabetically:
2 Chainz, Larry June & The Alchemist
A$AP Rocky
AG Club
Alemeda
AZ Chike
BB Trickz
Ca7riel & Paco Amoroso
Chezile
Childish Gambino
Clairo
Clipse
Deb Never
Doechii
Domo Genesis
Don Toliver
Earl Sweatshirt
Ecca Vandal
Fousheé
Geezer
GloRilla
Kilo Kish
La Reezy
Left Brain
Luh Tyler
Malcolm Todd
Men I Trust
MIKE
Mike G
Navy Blue
Paris Texas
PARTYOF2
Ray Vaughn
Samara Cyn
Sombr
T-Pain
Teezo Touchdown
Tems
Thundercat
Tyler, the Creator
Zack Fox
Zelooperz
With a lineup this expansive, the Carnival continues to be a place where different corners of music collide—Odd Future alumni rubbing shoulders with rising stars, legends sharing the bill with names you might not yet know but probably won’t forget. It’s the blend of surprise, community, and performance that has kept Camp Flog Gnaw in its own lane, year after year.
There is something almost surreal about watching a group barely a year into its career command a room the size of YouTube Theater as though they have been doing it for a decade. On August 13, CORTIS brought their Put Your Phone Down tour to Inglewood, transforming the venue into something far less formal than a traditional K-pop concert.
Festivals are often snapshots of a particular moment in culture, and this festival has become one of Los Angeles’ clearest reflections of how quickly that culture is changing. The growing presence of Latino artists and fans, the collision of electronic music with hip-hop and latin music, and the festival’s willingness to give space to emerging international scenes all point toward a culture that is becoming increasingly borderless
On a night already destined to be memorable, Summer Walker reminded Los Angeles exactly why this chapter of her career feels like her strongest yet.
The Locket Tour succeeds because it never relies on one element alone. The elaborate production, thoughtful visual storytelling, polished choreography, and impressive vocals all complement one another without competing for attention.
There’s a moment, somewhere between the first scream and the last chant, where a concert stops feeling like a performance and starts acting like a confession. That’s the space Jackson Wang chose to live in when MAGICMAN II touched down at the Kia Forum—not just delivering a show, but constructing something far more layered, restless, and human.
Skyline’s debut at its new home did more than deliver a successful weekend of music; it reaffirmed the city’s position as one of the most vital centers for electronic culture in the United States.
Lady Gaga transformed the Kia Forum into a cathedral of controlled chaos for Night 2 of her Mayhem Ball residency in Los Angeles.
The Runarounds didn’t just play a show at the Fonda. They created a moment—complete, euphoric, communal.
Demand said everything. What began as two scheduled Forum dates quickly multiplied into four after tickets disappeared within hours. By the time the lights dimmed on the January 24 show, the room felt less like a traditional concert and more like a shared experience carefully designed for the fans who filled every corner.
In February, Bad Bunny is set to become the first Latino artist to headline the Super Bowl. Watching him in Mexico City, embraced by tens of thousands without hesitation, makes that milestone feel both overdue and revealing. Abroad, he is trusted, celebrated, and empowered. At home, his community is still asked to justify its presence.
Rolling Loud is officially coming back to the United States in 2026, and this time it’s making one big statement: one city, one weekend, one festival. The world’s largest hip-hop festival has announced that Rolling Loud 2026 will take place May 8–10, 2026, at Camping World Stadium in Orlando, Florida, marking its only U.S. edition of the year and signaling a new phase for the brand.
There’s no denying Billie Eilish is one of the greatest artists in the world right now. Her past year has been marked by major milestones — a widely praised album, a new wave of artistic growth, and a tour that has reshaped what a modern pop show can look like. H
On October 16, I found myself standing among thousands of fans inside BMO Stadium, waiting for SEVENTEEN to take the stage. It wasn’t just another concert night in Los Angeles — it felt like something much more significant, almost like a reunion between the group and a city that has become an extension of their story.
At the top, festival-goers can count on Tyler himself to deliver a spectacle, joined by era-defining figures like Childish Gambino, A$AP Rocky, and Clipse
The kind of night that makes you forget about LA traffic and parking stress starts before you even step inside.
Even before the music started, it was clear this wasn’t going to be an ordinary concert—it was about to be something monumental.
Keshi has always called Los Angeles his second home, and that was clear from the way the crowd erupted for him.
Katy Perry didn’t just put on a show—she created a world where playfulness, vulnerability, and connection could all coexist.
Head in the Clouds isn’t just about the lineup. It’s about community, discovery, and celebration. And this year, it reminded us exactly why asian artists deserve these stages—and why we’ll keep coming back to cheer them on.
K-pop powerhouse Stray Kids took Los Angeles by storm as they brought their explosive dominATE world tour to the legendary SoFi Stadium, thrilling American fans with not one but two sold-out performances on May 31 and June 1.