Posts in API
ELY BUENDIA AND DIANE VENTURA ON THE MUSIC, MEMORY, AND MYTH OF ERASERHEADS

ERASERHEADS: COMBO ON THE RUN revisits the rise, rupture, and reunion of one of the Philippines’ most beloved bands with the kind of honesty that turns nostalgia into something sharper, deeper, and unexpectedly moving. Through Ely Buendia and director Diane Ventura’s candid reflections, the film opens a door into the songs, silences, friendships, and hard-won grace behind a legacy that continues to define generations.

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AURA MAYARI ON WHY ’HERE LIES LOVE’ IS MORE THAN A PARTY

AURA MAYARI steps into Here Lies Love with sparkle, swagger, and something far more dangerous beneath the shine, turning Imeldific into one of the most unforgettable forces in the Mark Taper Forum’s dizzying, seductive staging of the David Byrne and Fatboy Slim musical. AURA MAYARI opens up about reclaiming her Filipina identity, finding power through drag, and why the real pulse of the show lies in the uneasy question hiding under all that glamour: “Wait, why am I cheering?”

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Guy Gerber’s Separate Ways Takes Shape in Los Angeles

In a city that thrives on reinvention, Gerber’s Los Angeles presentation feels less like a side project and more like an assertion: the dance floor and the gallery are not separate paths, but parallel ones, occasionally intersecting in moments of rare clarity.

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DEFYING DEFINITIONS: HENRY GOLDING’S PERSPECTIVE ON MIXED HERITAGE IN ACTING

Exclusive interview with actor HENRY GOLDING on Hollywood, acting, hsi Asian heritage and playing the character Freddy Alvarez in Guy Ritchie’s latest film, The Ministry of Ungentlemanly Warfare

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