ANA TUAZON PARSONS turns grief, immigration, identity, and survival into stories that sting, heal, and make you laugh when you least expect it. From The Lincoln Lawyer to Jokes with JoySauce and the deeply personal Pancit, she reveals what happens when an artist stops waiting for permission and starts building rooms where no one has to feel invisible.
Read MoreERASERHEADS: COMBO ON THE RUN revisits the rise, rupture, and reunion of one of the Philippines’ most beloved bands with the kind of honesty that turns nostalgia into something sharper, deeper, and unexpectedly moving. Through Ely Buendia and director Diane Ventura’s candid reflections, the film opens a door into the songs, silences, friendships, and hard-won grace behind a legacy that continues to define generations.
Read MoreIn a city that thrives on reinvention, Gerber’s Los Angeles presentation feels less like a side project and more like an assertion: the dance floor and the gallery are not separate paths, but parallel ones, occasionally intersecting in moments of rare clarity.
Read MoreExclusive interview with actor HENRY GOLDING on Hollywood, acting, hsi Asian heritage and playing the character Freddy Alvarez in Guy Ritchie’s latest film, The Ministry of Ungentlemanly Warfare
Read More
