If you’re going to wait over a decade to return to Los Angeles, you might as well do it in a massive rotating cube surrounded by synchronized 8K visuals, right? Paul Kalkbrenner thought so. And as it turns out, so did the lucky few hundred who managed to snag tickets to the U.S. debut of Cercle Odyssey, a performance so immersive, so visually engulfing, it made you forget the outside world even existed — and honestly, nobody missed it.

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