Grammy-nominated and more than a decade into his career, Audien has built a reputation for creating music that prioritizes feeling as much as impact. From early chart success to a catalog that continues to connect with listeners, his work has consistently centered on emotion—tracks that start from something personal and expand into something shared.
There’s a moment in every band’s career when everything either clicks—or quietly begins to fade. For Cannons, that moment doesn’t arrive at the beginning. It arrives now, years in, shaped by exhaustion, reinvention, and an unexpected reckoning with self. Their latest album, Everything Glows (out March 27), isn’t just another release—it’s a recalibration. And remarkably, it might be their most powerful work yet
If you’re going to wait over a decade to return to Los Angeles, you might as well do it in a massive rotating cube surrounded by synchronized 8K visuals, right? Paul Kalkbrenner thought so. And as it turns out, so did the lucky few hundred who managed to snag tickets to the U.S. debut of Cercle Odyssey, a performance so immersive, so visually engulfing, it made you forget the outside world even existed — and honestly, nobody missed it.