Everything is about experience. We forego the comfort of watching at home and in bed, and sit our bums on a theater seat (sometimes not the recliner kind) to experience image and sound in a dark room with no distractions, and in return, we get to laugh and cry with an audience.
Read MoreIf you’ve seen director Ruben Östlund’s other Cannes Palme D’Or winning film The Square, it’s clear that he has a knack for parodying professions that can seem pretentious, by doing so, taking audiences for a wild ride while also providing social commentary on the rich and famous.
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